Creating the Clay Form

To start, the artist judiciously applies oil-based clay onto the form. In figure sculpting, Garland Weeks usually begins forming the head. He states that the proportions of the head loosely determine the proportion of the rest of figure. Working with the oil clay is the longest part of the sculpting process: to add details, adjust proportions, and shape the overall surface texture. According to Weeks, an artist needs to “be aware of modeling the [sculpture’s] surface with the proper texture.” A critical step in the creation process, at the point near completion, is to step away from the sculpture for a while to let the eyes and mind rest. After a few days, the artist is able to look at the sculpture with “fresh eyes” and be able to detect what might need to be modified. Once the artist or customer is satisfied with the sculpture, the mold-making process can begin.